Fashion Nerds

United Kingdom

Georgia Hardinge

  • Sculptural pleating
  • Architectural forms
  • Textile innovation

Georgia Hardinge established her label in 2010, translating an interest in architecture and sculpture into wearable forms. Her experimental pleating developed from paper sculpture, with fabric technologies helping maintain a distinctive three-dimensional surface.

Portrait of Georgia Hardinge
Official biography; photographer not specified · Copyrighted; see source terms.

Five looks to know

Trace Dress Floor Length — Georgia Hardinge, Date not documented

Collection selection

Trace Dress Floor Length

Date not documented

A published clothing design associated with Georgia Hardinge.

Georgia Hardinge — official product photography (photographer not stated)
Mercury Dress Floor Length — Georgia Hardinge, Date not stated

Collection selection

Mercury Dress Floor Length

Date not stated · Official collection; season not stated

Pleats converge around the waist and release into a long skirt, demonstrating Hardinge’s sculptural approach.

Georgia Hardinge
Linear Dress Floor Length — Georgia Hardinge, Date not stated

Collection selection

Linear Dress Floor Length

Date not stated · Official collection; season not stated

Metallic pleats radiate from the central opening, making light part of the dress’s form.

Georgia Hardinge
Reflective Dress Floor Length — Georgia Hardinge, Date not stated

Collection selection

Reflective Dress Floor Length

Date not stated · Official collection; season not stated

Flared sleeves and a long pleated skirt extend a radial pattern across the body.

Georgia Hardinge
Optic Dress Floor Length — Georgia Hardinge, Date not stated

Collection selection

Optic Dress Floor Length

Date not stated · Official collection; season not stated

An off-center gathering point turns vertical pleats into a sweeping diagonal.

Georgia Hardinge

Collections & archive pieces

1 collections represented · 1 piece

Selected work

1 piece

About Georgia Hardinge

Trained at Parsons Paris, she combines sculptural shaping with textile development, making the relationship between material innovation and the moving body central to her work.