Fashion Nerds

Jacques Esterel

  • Playful ready-to-wear
  • Checked dresses
  • Unisex fashion

Jacques Esterel entered fashion after working as an engineer and songwriter, bringing an interest in performance to the presentation of clothes. His house opened in the 1950s and became widely known for the checked dress made for Brigitte Bardot’s 1959 wedding.

Five looks to know

Checked day dress — Jacques Esterel, c. 1963

Collection selection

Checked day dress

c. 1963 · Season not documented

A line of thirteen white buttons and a white waistband articulate the checked cotton dress; inverted pleats release fullness below the waist.

Palais Galliera / Paris Musées
Dalida’s turquoise poplin dress — Jacques Esterel, 1959

Collection selection

Dalida’s turquoise poplin dress

1959 · Selected archival work

The singer Dalida wore this fitted, full-skirted turquoise dress in 1959. Its narrow straps and lace-trimmed skirt contrast with its structured bodice.

Palais Galliera / Paris Musées
Brigitte Bardot’s gingham wedding dress — Jacques Esterel, 1959

Archival wedding photograph; lower skirt outside frame

Brigitte Bardot’s gingham wedding dress

1959 · Brigitte Bardot

The pink-and-white gingham dress worn for Bardot’s marriage to Jacques Charrier made an informal cotton fabric a bridal fashion landmark.

Getty Images
Wedding dress for Une Parisienne — Jacques Esterel, 1957

Film photograph showing bodice and veil

Wedding dress for Une Parisienne

1957 · Brigitte Bardot

Esterel designed this fitted-waist bridal costume for Bardot’s role in Michel Boisrond’s Une Parisienne.

Sunset Boulevard / Getty Images
Matching unisex trouser suits — Jacques Esterel, 1969

Landmark design

Matching unisex trouser suits

1969 · Unisex designs

Matching jackets, patterned shirts and flared trousers demonstrate Esterel’s unisex approach to dressing.

Daily Herald Archive / Getty Images

Collections & archive pieces

1 collections represented · 1 piece

Season not documented

1 piece

About Jacques Esterel

Accessible ready-to-wear, bold publicity and experiments with unisex clothing broadened his work beyond formal couture. A checked cotton day dress of about 1963 shows how a familiar fabric could become distinctive through carefully placed buttons, a contrasting waistband and a skirt shaped by controlled pleats.