Fashion Nerds

United Kingdom

John Alexander Skelton

  • Reworked antique textiles
  • Hand dyeing and patching
  • Historical menswear volume

John Alexander Skelton draws on British history, folk performance and the politics of cloth to develop expressive menswear. Trained at London College of Fashion and Central Saint Martins, he works with materials such as antique bedsheets and grain sacks.

Five looks to know

Grey high-buttoned suit — Look 1 — John Alexander Skelton, Fall 2025

Collection selection

Grey high-buttoned suit — Look 1

Fall 2025 Menswear

A long line of buttons and narrow collar give the grey suit a historical inflection.

Lonny Spence / Courtesy of John Alexander Skelton
Pale checked long coat — Look 6 — John Alexander Skelton, Fall 2025

Collection selection

Pale checked long coat — Look 6

Fall 2025 Menswear

Large checks and a gently flared hem give the long coat an individual silhouette.

Lonny Spence / Courtesy of John Alexander Skelton
Black suit and tall hat — Look 16 — John Alexander Skelton, Fall 2025

Collection selection

Black suit and tall hat — Look 16

Fall 2025 Menswear

High-buttoned black tailoring is paired with a tall hat, emphasizing the collection’s period references.

Lonny Spence / Courtesy of John Alexander Skelton
Dark waistcoat and olive trousers — Look 21 — John Alexander Skelton, Fall 2025

Collection selection

Dark waistcoat and olive trousers — Look 21

Fall 2025 Menswear

A separate waistcoat and loose trousers offer a more informal variation on the season’s tailoring.

Lonny Spence / Courtesy of John Alexander Skelton
Long dark coat and pale trousers — Look 30 — John Alexander Skelton, Fall 2025

Collection selection

Long dark coat and pale trousers — Look 30

Fall 2025 Menswear

A long coat, light trousers and broad hat form a layered silhouette with a strong vertical line.

Lonny Spence / Courtesy of John Alexander Skelton

Collections & archive pieces

1 collections represented · 1 piece

Selected work

1 piece

About John Alexander Skelton

Hand dyeing, painting, patching and repeated washing transform these fabrics into voluminous garments that reconsider historical forms and inherited craft.