
Female Akwadzan worn by model Zilla
Juliana Norteye · c. 1968
Ghana
Juliana Norteye, known as Chez Julie, helped shape fashion in post-independence Ghana after studying dressmaking in Paris. She combined local textiles with international silhouettes, adapting kente and adinkra into tailored clothing.


Collection selection
1958 · Chez Julie archival designs
A documented design by Juliana Norteye for Chez Julie, preserved in the archival photographs reproduced in Christopher Richards’s dissertation.
Sunday Mirror; personal collection of Edith Francois; reproduced in Christopher Richards’s dissertation, figure 3-3
Collection selection
1961 · Chez Julie archival designs
A documented design by Juliana Norteye for Chez Julie, preserved in the archival photographs reproduced in Christopher Richards’s dissertation.
Sunday Mirror; personal collection of Edith Francois; reproduced in Christopher Richards’s dissertation, figure 3-5
Collection selection
1986 · Chez Julie archival designs
A documented design by Juliana Norteye for Chez Julie, preserved in the archival photographs reproduced in Christopher Richards’s dissertation.
Sunday Mirror; The Daily Graphic Archives; reproduced in Christopher Richards’s dissertation, figure 3-7
Collection selection
c. 1968 · Chez Julie archival designs
A documented design by Juliana Norteye for Chez Julie, preserved in the archival photographs reproduced in Christopher Richards’s dissertation.
Personal collection of Edith Francois; reproduced in Christopher Richards’s dissertation, figure 3-19
Collection selection
c. 1968 · Chez Julie archival designs
A documented design by Juliana Norteye for Chez Julie, preserved in the archival photographs reproduced in Christopher Richards’s dissertation.
Personal collection of Edith Francois; reproduced in Christopher Richards’s dissertation, figure 3-201 piece
Her akwadzan made wrapped cloth easier to wear, while her work with Ghana Textiles Production brought locally manufactured prints into fashion shows and advertising.