
Sculptural fuchsia hat
Philip Treacy · 1995
Accessory design
Ireland / United Kingdom
Philip Treacy approaches hatmaking as a meeting of art, fashion and skilled handwork. His creations transform materials ranging from silk and Plexiglas to ordinary feathers into imaginative headpieces, with each design conceived in relation to an image of its wearer.

Philip Treacy at British Polo Day Morocco, 2014.
Sam Churchill / Land Rover MENA; existing crop by GRuban · CC BY 2.0
Collection selection
1995
A documented example from the designer’s millinery.
V&A Images
Collection selection
1998 · Victoria and Albert Museum collection; original collection not stated
The bag’s broad elliptical outline carries Treacy’s sculptural approach into a handheld accessory.
©Victoria and Albert Museum, London/Philip Treacy
Collection selection
2011 · Victoria and Albert Museum collection; original collection not stated
Stiffened, hand-painted silk recreates a flower at a scale large enough to become headwear.
© Victoria and Albert Museum, London
Collection selection
Designed for Bella Freud, 1993; season inconsistent in museum record
A small circular hat extends the texture and color of a coordinated fashion look.
©Victoria and Albert Museum, London/Bella Freud
Collection selection
For Rifat Ozbek — Spring/Summer 1991
Pampas-grass matting is shaped into a large peaked cap, turning a humble material into sculptural millinery.
© Victoria and Albert Museum, London1 piece

Philip Treacy · 1995
Accessory design
Collaborations and friendships with figures including Isabella Blow and Alexander McQueen helped shape a practice that makes the hat a powerful element of fashion imagery.
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Philip Treacy — Hat Designer