Fashion Nerds

Stephen Burrows

  • Color blocking
  • Fluid eveningwear

Stephen Burrows made color, flowing fabric and movement central to his fashion vocabulary. His 1970s dresses use asymmetry and light layers to animate the body, sometimes through contrasting blocks of color and sometimes through a single vivid hue.

Official website
Portrait of Stephen Burrows
Stephen Burrows portrait, courtesy CFDA · Copyright; see source for usage terms

Five looks to know

Evening dress — Stephen Burrows, ca. 1973

Collection selection

Evening dress

ca. 1973

Blue, yellow, magenta and black form sweeping blocks across this layered evening ensemble. Its one-shoulder top, tied waist and flowing skirt make color and movement central to the silhouette. The museum dates it to about 1973, a period when Burrows helped define the energetic language of American fashion.

The Metropolitan Museum of Art
Dress — Stephen Burrows, 1973

Collection selection

Dress

1973

Layers of brilliant pink silk descend diagonally from this sleeveless dress, creating an uneven hem and a light, mobile silhouette. The Met records the garment as a 1973 design. Seen alongside Burrows’s multicolored evening ensemble of approximately the same year, it demonstrates a related interest in flowing layers and asymmetric lines.

The Metropolitan Museum of Art
Dress — Stephen Burrows, ca. 1971

Collection selection

Dress

ca. 1971 · The Met collection

Wool.

The Metropolitan Museum of Art
Dress — Stephen Burrows, 1971

Collection selection

Dress

1971 · The Met collection

Wool, leather.

The Metropolitan Museum of Art
Jumpsuit — Stephen Burrows, ca. 1974

Collection selection

Jumpsuit

ca. 1974 · The Met collection

Synthetic.

The Metropolitan Museum of Art

Archive pieces, grouped by date

2 pieces

ca. 1973

1 piece · Season not recorded

1973

1 piece · Season not recorded

About Stephen Burrows

The examples here offer two approaches from 1973, showing the range within his energetic vision of American eveningwear.