
Evening ensemble
Gilbert Adrian · 1945
Gilbert Adrian brought the visual confidence of Hollywood costume to American fashion. After extensive film work, he developed a custom salon and ready-to-wear business in the 1940s.


Collection selection
Modern Museum · 1945
This silk evening ensemble belonged to Adrian's Modern Museum collection and appeared among the garments shown when he received the 1945 American Fashion Critics Award. The Met connects its palette to Cubism and its interlocking shapes to modern art. A long coordinated outer layer carries the composition beyond the dress itself.
The Metropolitan Museum of Art
Collection selection
1945
Adrian painted the rearing horse directly onto this silk evening dress. The Met contrasts that method with his usual practice of drawing on a muslin toile before translating lines into intricate fabric insets. The large figurative image makes the entire length of the gown function as a painted surface.
The Metropolitan Museum of Art
Collection selection
Letty Lynton (film), 1932
Adrian’s white organdie gown for Joan Crawford in Letty Lynton (1932) puts enormous, fluttering sleeves above a close waist and full skirt. The contrast matters: Hollywood glamour could be romantic and expansive as well as slinky. Widely copied versions carried the screen costume into ordinary wardrobes; this publicity photograph shows Crawford in the original design.
Unknown photographer, 1932 publicity photograph; via Wikimedia Commons
Collection selection
1946 · The Met collection
Rayon, glass, plastic (cellulose acetate).
Paul Westlake / The Metropolitan Museum of Art
Collection selection
1944 · The Met collection
Silk.
The Metropolitan Museum of Art2 pieces · Season not recorded
1 piece · Season not recorded

Gilbert Adrian · 1945
1 piece

Gilbert Adrian · 1932
1932 publicity photograph
The Met highlights his strong silhouettes, imaginative themes and sophisticated construction. His Modern Museum collection translated abstract art into carefully inset fabric shapes, while other dresses became surfaces for direct painting.