Fashion Nerds

Yohji Yamamoto

  • Unstructured layers
  • Experimental tailoring

Yohji Yamamoto challenged conventions of Western dress through unstructured layers, unusual materials and altered proportions. His later work continued to reinterpret couture and tailoring traditions.

Official website
Portrait of Yohji Yamamoto
Flick user Masaki-H · CC BY-SA 2.0

Five looks to know

Dress — Yohji Yamamoto, fall/winter 1991–92

Collection selection

Dress

fall/winter 1991–92

Hinged and bolted wooden panels form the bodice and extend over a black felted-wool skirt. A crescent shape projects from the hip, giving this finale look a deliberately constructed silhouette. Yamamoto treats clothing as an arrangement of planes, translating dressmaking into an unexpected dialogue between rigid wood and soft textile.

The Metropolitan Museum of Art
Dress — Yohji Yamamoto, fall/winter 1991–92

Collection selection

Dress

fall/winter 1991–92

From the same season as Yamamoto’s wooden finale dress, this design revisits the sailor uniform through a loose wool silhouette. The Met connects its nautical vocabulary to the freedom associated with Chanel’s early sportswear. Its restrained shape demonstrates how one collection could examine historical dress through both familiar garments and radical materials.

The Metropolitan Museum of Art
Dress — Yohji Yamamoto, spring/summer 2005

Collection selection

Dress

spring/summer 2005

Pleated silk rises into rounded, irregular forms at the neckline of this gown. The Met relates Yamamoto’s technique to the draped dresses of Madame Grès, while emphasizing the pronounced three-dimensional relief he gives the pleats. The design reconsiders couture history through an expressive, sculptural treatment of a single textile.

The Metropolitan Museum of Art
Coat — Yohji Yamamoto, 1995

Collection selection

Coat

1995 · V&A collection

Wool (twill) Synthetic tulle and organza.

©Victoria & Albert Museum, London
Outfit — Yohji Yamamoto, 1997

Collection selection

Outfit

1997 · V&A collection

Shirt and skirt of rayon and silk devoré, dress of hand-painted nylon.

© Victoria & Albert Museum

Collections & archive pieces

3 collections represented · 4 pieces

fall/winter 1991–92

2 pieces

spring/summer 2005

1 piece

spring/summer 1983

1 piece

About Yohji Yamamoto

A single 1991 collection could include a sailor-inspired dress and hinged wooden panels; his 2005 pleated gown similarly revisits historical technique while giving it a distinctly sculptural new form.