
Look 48
Alessandro Michele · fall/winter 2017–18
Print, ornament and historical references accumulated in expressive combinations. Michele’s Gucci helped make this decorative approach prominent during the later 2010s.

Alessandro Michele · fall/winter 2017–18

Dries Van Noten · fall/winter 2015–16

Manish Arora · 2014–2015; Spring/Summer 2015 collection

Veronica Etro · 2018

Frida Giannini · 2011

Rossella Jardini · 2016

Antonio Marras · 2010

Anna Plunkett · Australia Resort 2019
Look 1

Angela Missoni · Spring 2018
Look 1
Maximalism became especially visible in the second half of the 2010s, when Alessandro Michele’s Gucci encouraged exuberant combinations of print, ornament and historical references. Street-style photographs carried these ideas beyond the runway. Outfits could mix patterns, textures and accessories instead of reducing them to a single restrained statement. The term is an established description of decorative excess; the selected garments show it through accumulated visual detail, rather than through unusual volume alone.
Ornament and eclectic dress
The tension between prints
Colour and craft without restraint
Paisley, color and textile stories in motion
Archival Gucci motifs and vivid 1970s glamour
Polished tailoring with ruffles, pattern and wit
Textile collage, memory and romantic layering
Art, storytelling and exuberant Australian dress
Colour and knitwear for a changing Missoni