
Shirt
Vivienne Westwood · ca. 1980
Vivienne Westwood helped shape British punk with Malcolm McLaren before developing an increasingly independent design language. The Pirate collection of 1981 opened a sustained exploration of historical dress.
Official house website

Landmark design
ca. 1977
Straps, fastenings and rubber bring the visual language of punk into an ensemble jointly designed with Malcolm McLaren.
The Metropolitan Museum of Art
Landmark design
Pirate · 1981
Historical volume became a new vocabulary for street fashion in Westwood and Malcolm McLaren’s first catwalk collection.
The Metropolitan Museum of Art
Landmark design
Les Femmes ne Connaissent pas toute leur Coquetterie · Spring/Summer 1996
An eighteenth-century sack-back gown becomes an asymmetrical modern evening dress, showing Westwood’s use of art history as a source for new silhouettes.
© Victoria and Albert Museum, London
Landmark design
fall/winter 1994–95
An exaggerated bustle brings historic dress construction into contemporary tailoring; the Met emphasizes its transformation when worn in motion.
The Metropolitan Museum of Art
Landmark design
Portrait, 1990
The printed detail of Boucher’s Daphnis and Chloë makes a historical corset both an outer garment and a wearable painting.
© Vivienne Westwood Ltd, via The Wallace Collection1 piece · Season not recorded

Vivienne Westwood · ca. 1980
1 piece

Vivienne Westwood · 1981
1 piece · Season not recorded

Vivienne Westwood · ca. 1977
1 piece

Vivienne Westwood · spring/summer 1996
1 piece
Corsets, tailoring and exaggerated proportions became tools for reinvention, combining respect for skilled construction with a desire to challenge convention and make people look again.
READ FURTHER
V&A: Vivienne Westwood, punk and beyond